With contributions by
Alexander Nagel Frank Fehrenbach, Jacob Wamberg, Mikkel Bogh, Maria Fabricius Hansen, Katerina Harris, Chris Askholt Hammeken, Rosanna Tindbæk, Jeremie Koering, Gunhild Borggreen, Franziska Bork Petersen and Jens Hauser
More about the book
About the book
The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For centuries, artists have created images of the living world – images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images ‘do to us’. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities.
Dead or Alive! addresses the perpetual relevance of images’ enigmatic life-likeness. Each of the twelve chapters, written by scholars of art history and visual culture, conveys how the materiality of images generates this powerful effect of animation. Covering a wide range of practices, from early paleolithic stone engravings, medieval tomb sculpture, renaissance death masks and baroque painting to modern fashion, park design, early cinema, robots and bio art, the book demonstrates that the ontological paradox of the image is not limited to a specific historical period or certain types of images, but can be seen throughout the history of images across different cultures.
Table of contents
The Pitted Ware Culture on Djursland
Supra-regional significance and contacts in the Middle Neolithic of southern Scandinavia
Edited by Lutz Klassen
(book + e-book)
Between ca. 3000 and 2800 BC, the Pitted Ware Culture of northeast European descent spread to the northeastern parts of Denmark. Here, by far the best…
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