More about the book
About the book
The present monograph takes its place in a now well-established tradition of seeing sarcophagi as visual statements of deceased individuals that used allegories to plot lives and personal memories against mythological and other idealised narratives. It focuses on Roman sarcophagi, often referred to as stadtrömisch, which reflects the fact that the field has traditionally been dominated by German scholars. The aim of the book is twofold: Firstly, it is an exploration of how to read Roman sarcophagi, which starts from those with portraits, but which can contribute more broadly to the study of sarcophagi in general. Secondly, this book investigates gender values as represented through images and how to locate the individual in standardised iconography.
Table of contents
Negotiating Identity on Sarcophagi
Images for Contemplation
Exempla Virtutis: Portraits and Self-Representation on Sarcophagi
Filiae Innocentissimae, Filio Dulcissimo: Commemorating Children
Sarcophagi Commemorating Women, Men, Children, and Couples
Sarcophagi with Blank Portraits
Learned Figures with Portraits on Sarcophagi
Sanne Lind Hansen
MA in ethnography and classical archeology, and trained from the Danish School of Journalism. Sanne works primarily with the travel books series Vide verden and publications in anthropology, archeology and early history. She is also responsible for foreign sales and commission agreements, and is the longest serving editor at the Press. A generation ago, she was employed at Antiquities at the National Museum.
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