Romantik 4
A part of the journal Romantik: Journal for the Study of Romanticisms (4) and the subject areas Cultural studies, Art, Literature and Literature (English Language)
Out of stock
Edited by
Cian Duffy,
Karina Lykke Grand,
Lis Møller,
Robert W. Rix and
Anna Lena Sandberg
With contributions by
Christoph Bode,
Signe Krogh,
Kate Scarth,
Kim Simonsen and
Martina Domines Veliki
More about the book
About the book
Romantik: Journal for the Study of Romanticisms includes new research articles on Byron's The Giaour, on spatial memory in Wordsworth and Rousseau, on how the city of Brighton was represented in the early nineteenth century as a centre of fashion, polite sociability, and consumerism, on the construction of a romantic canon in the Faroe Islands, and on Rome as the incubator for romantic artists forming friendships and cultivating artistic communities.
Moreover,the issue features reviews of new books published in Scandinavia on the romantic era.
Romantik is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. Romantik is interested in all European and Nordic romanticisms, and not least the connections and disconnections between them - hence, the use of the plural in the subtitle.
Table of contents
BYRON'S DIS-ORIENTATIONS: THE GIAOUR, FOR EXAMPLE
FRIENDSHIPS AND PORTRAITS IN THE AGE OF ROMANTICISM
Reflections on Eight Portraits by C.A. Jensen
AT HOME IN 'THAT GAY BATHING PLACE' OR, REPRESENTING BRIGHTON IN THE EARLY NINETEENTH CENTURY
THE ROMANTIC CANON AND THE MAKING OF A CULTURAL SAINT IN THE FAROE ISLANDS
SPATIAL MEMORY AS PLACE IN WORDSWORTH'S THE EXCURSION AND ROUSSEAU'S REVERIES OF A SOLITARY WALKER
